Sunday, September 23, 2007

The City of New York Official Flag

The City of New York Official Flag


A number of months ago, I stumbled across an image of the “prince’s flag,” the predecessor to the flag of the Netherlands. This flag had uncanny similarities to the New York City flag which made me wonder about the history of the design of the flag. Just this past week, for reasons that I will not go into, I needed to find the RGB, CKMY, or Pantone numbers for the colors of the New York City flag. It put me on a quest, which gave me a better understanding of the meaning behind the city flag.

Description:

According to the City Administrative Code,

§ 2-103 Official city flag.
a. The following design is hereby adopted as the design of the official flag of the city:
1. A flag combining the colors orange, white and blue arranged in perpendicular bars of equal dimensions (the blue being nearest to the flagstaff) with the standard design of the seal of the city in blue upon the middle, or white bar, omitting the legend "Sigillum Civitatis Novi Eboraci," which colors shall be the same as those of the flag of the United Netherlands in use in the year sixteen hundred twenty-five.


The Seal of City

The seal is made up of six predominate features: Shield, two supports, crest, date, legend, and laurel wreath.

At the center of the seal is a shield with saltire-wise (drawn in the direction of the bend of the shield and crossing in the center) sails of a windmill. Between the sails on the top and base are two beavers. Both beavers are in profile. The design of the beavers is the same design of the seal of the New Netherlands. Between the sails on each flank are flour barrels.

Popular belief is that the windmills represent New York’s Dutch history. According to a John Pine's book, “Seal and Flag of the City of New York”, windmills were not exclusively used in Holland, but were widely used in England as well. In addition, in New Amsterdam, and then in New York, the principle source of mechanical power prior to the common use of steam was wind and water. Mr. Pine suggests that sails may have been suggested by one of the leading citizens of New Amsterdam and New York, Mr. Van Courtlandt. Saltire-wise sails of a windmill are exhibited in the Van Courtland family coat of arms. The beavers and the flour barrels represent the cities’ earliest trade goods.

Holding the shield is a Lenape tribesman forming the sinister (left) supporter, and a Dutch sailor forming the dexter (right) supporter. The Native American is holding a self-bow and the sailor is holding a plummet (lead-line) and to his right is a cross-staff both used for water navigation. Both supports are standing on a horizontal laurel.

The crest located above the shield is the American eagle with wings displayed, upon a hemisphere. The crest was added after the revolutionary war to indicate New York City’s succession to the United States. (Some references indicated that the eagle represents New York State). Prior to the change the crest was an imperial crown.

The date, 1625 is located beneath the horizontal laurel. It indicates the official date New Amsterdam was founded by the Dutch. The date has been changed a number of times during the history of the seal. It’s last change happened in 1977, prior to this change it read 1664, signifying the English takeover and renaming New Amsterdam to New York.

The legend in Latin, ‘Sigillum Civitatis Novi Eboraci’, ‘the Seal of the City of New York,’ is removed from the flag’s seal.

Finally, a laurel wreath encapsulates the ensemble.

Origin of the Field.

In 1579, the northern half of the seventeen Dutch provinces under the control of Charles V, King of Spain, decalred their independence which began an 80-year war ending in 1648. (1) One of the most influential of the rebels was Prince William I of Orange, Court of Nassau. (2) The livery colors of William I were Orange, White and Blue (the prince’s coat of arms). These colors were worn as Armbands by his soldiers at the siege of Leiden in 1574 (3), and when the Republic of the Seven United Netherlands (aka Dutch Republic or United Provinces) was born in 1581 they used the horizontal tricolor for the ensign and the flag used on the land. (4) The flag is commonly referred to as the Prince’s Flag.

Republic of the Seven United Netherlands

In 1609, the ship Halve Maen (Half moon) under the command of Henry Hudson was commissioned by the Dutch East Indian Company to find a Northeast ‘New Netherland’ all-water passage to Asia. The Ship possibly flew four ensigns (flags), the South Holland Province, the United Provinces of Holland, the City of Amsterdam and the Dutch East India Company Amsterdam Chamber. (5)

Dutch East Indian Company

Dutch East India Company Amsterdam Chamber

The Dutch fur trading company founded the settlement in 1613 eventually naming it New Amsterdam. Company flags are an important part of vexillogy in the seventeenth and eighteenth centuries because companies, rather than governments, were in many cases responsible for the actual exploration, settlement and administration of colonial territories. (6) This was the case in New Amsterdam. The first settlements would have flown the Dutch East Indian Company’s flag. The company’s flag used the national stripes of orange (top), white and blue. It contained three letters, VOC, for Vereenigte Oost-Indische Compagnie, the name of the company in Dutch. (7)

The light blue of the prince’s flag by the time of the settlement of New Amsterdam would have been darker. The “De Nederlandsche Vlag” by C. De Waard, published at Groninge in 1900, establishes the fact that prior to 1630 all flags of the Dutch were orange, white and blue and the same authority indicates that a dark blue, rather than the light blue, was the shade in use. (8) The orange and white have not been contested and it is suggested that the orange has not changed from the time of the original settlement.

It was suggested in the book Seal and Flag of the City of New York, that the blue would have been indigo. Whether imported from India or Egypt or extracted from the plant known as “Woad,” which was cultivated throughout Europe, Indigo was the only fast dye of blue color that was known in 1626 when New Amsterdam was founded. (9)

Image above, NYC flag does not include legend in seal. Rendering of NYC flag at top of page does include legend this rendering is incorrect.


Theoretical Time line of the primary flag flown in New Amsterdam and New York.

1613-1647: Dutch East Indian Company flag then the United New Netherlands Company and after 1621 the Chartered West India Company

1647-1652: National Flag of the Netherlands (the orange was changed to red and the light blue to dark blue around 1630)

1653-1783: Kingdom of England Flag

1783-1915: White field bearing the seal of New York in dark blue.

1915 -1977: Official flag and seal (actually the original British seal) commemorating the 250th anniversary of the assumption of municipal controlled by the English. The Design by Paul Manship. (10)

1977-Present: Official flag with change of seal


And if you are curious:
According to the New York City Arts Commission who graciously provided me with the calibration colors of the present New York City Flag.

Blue = PMS 072
Orange = PMS Orange 021
(However, depending on the printer this is may be too red so use 137)


Footnotes:
(1) Dutch Republic (http://en.wikipedia.org/wiki/Dutch_Republic)
(2) William the Silent (http://en.wikipedia.org/wiki/William_I_of_Orange)
(3) Smith, Whittney. The Flag Book of the U.S.. New York: William Morrow & Co. 1970
(4) ibid
(5) Site about the Half Moon replica (http://www.hudsonriver.com)
(6) Smith, Whittney. The Flag Book of the U.S.. New York: William Morrow & Co. 1970
(7) ibid
(8) Pine, John B. Seal and Flag of the City of New York. New York: G.P. Putnam’s Sons
(9) ibid
(10) the Times Square Enterprises Corporation - 2002 http://nyctimeline.com/data7.HTM

Bibliography:
Report by the Committee of the Art Commission Associates for submission of the city of New York. On the Adoption of an Official Flag By the City of New York and the Restoration of the Ancient Corporate Seal. Jan 1915

Saturday, September 22, 2007

The City Flag (New York City) by John Erskine



The City Flag
Flag of our hope, out of our heritage woven,
Flag for a storied city, forever new,
What shall you mean to the myriads you wave over?
What master-loves shall be lifted up to you?
Strangely will you greet the endless dream the city harbors,
Greet the astonished eyes the ships bring to the city shore,
Greet the adventurous hearts with surprise of familiar welcome,
Weird as a face remembered, yet never seen before.

Here where the rivers divide, where the eastern bridges
Carry their ant-like streams, where crag upon crag
The walls of Aladdin gleam with sunlit windows,
Here, looking up, they shall look on you, bright flag.
No banner of ancient traffic, realm of the Netherlands, rule of England,
Ghost of adventures long ago, nor names gone down with the past;
Flag of a nobler faring, flag of the port of vision,
They shall look up – and behold! their mirage come true at last!

Here in their hearts’ horizon they find heaven,
Dawns that lured them hither, here they find;
Here is the threshing-floor of the tireless spirit,
Here on new bread feeds the eternal mind-
Infinite purpose, infinite reach, infinite life and aspiration,
Desire of the star like beauty bound in the common knot of things,
Beauty changing the restless street with faery glamour,
And lifting the city towers light as a song with wings.

Flag of our fathers, out of our heritage woven,
Flag for a city of hope, forever young,
Fling to the winds of earth our ageless challenge,
Skyward in you man’s faith once more is flung-
Still may the ships come riding home, thronged with alien faces;
That yearn with light disguised, that grow with unsuspected powers;
Till our fortune eyes, grow old, look up and see you waving
Welcome to younger days and newer dreams than ours.

-John Erskine, 1915

Friday, March 30, 2007

NYC Statues that should be in the works


Thursday's New York Sun had an article regarding the proposal of a new statue honoring the literary and public figure George Plimpton.

I certainly believe that Mr. Plimpton deserves a statue in one of New York City's Parks. I also believe many other important New York figures deserve a statue recognizing their contribution to New York City.
According to the New York City Parks Department, there are approximately 1,200 monuments located in the five boroughs and 300 of those monuments are sculptures. The Parks Department touts on its website that it is “the greatest outdoor public art museum in the United States”.

Following is my list of additions. All these individuals were fundamental in shaping the City of New York. These urban and social critics are not currently honored in a monument form in the city.

Walt Whitman – (May 31, 1819 – March 26, 1892)
Long Island native; New York City’s poet and humanist Walt Whitman captured the spirit and life of New Your City and its citizens in his poems and writings.

Lewis Mumford - (October 19, 1895 – January 26, 1990)
Influential urban philosopher and social critic in New York City.
Writer of the acclaimed book History of the City.
“New York is the perfect model of a city, not the model of a perfect city.”-Lewis Mumford

Allen Ginsburg - (June 3, 1926 – April 5, 1997)
New York City Beat poet, social activist and the author of the poem Howl.

William H. Whyte - (1917- January 12, 1999)
Journalist and Urban sociologist observing city dynamics, ‘Holly’ Whyte is the creator of the book (and a film of the same name) The Social Life of Small Urban Spaces.

George McAneny - (1869-1953) and Edward Bassett (1863-1948)
The fathers of New York City Zoning

Jacob August Riis - (May 3, 1849 - May 26, 1914)
Photojournalist and social reformer. Through photographs, he revealed to society the slums of New York City in the essay "How the Other Half Lives: Studies Among the Tenements of New York (1890)".


Statue in the Works for a Literary Man of Action, by Gary Shapiro
http://www.nysun.com/article/51425

NYC Parks Department of Parks and Recreation – monument list
http://www.nycgovparks.org/sub_your_park/monuments/monuments_search.php

Friday, March 16, 2007

Obituaries - I lived I loved and I was


Every week as I browse through the local papers - I always stop and read the obituaries section. Call it morbid, I find I the most interesting of the news fit to print.

The world is made up of so many interesting “ordinary” people. The obituary is a condensed peek into the life of one specific individual. It highlights those achievements that the person presumably wanted to be remembered for. Sheldon K. Friedlander, a smog scientist who discovered a system of analyzing the chemical make up of smog so that other scientists can trace pollutants in the air. Evelyn Smith Munro, an activist who fought for sharecroppers' rights in one of the first racially integrated labor unions and Aubrey “Tex” Bouck the French Horn player who played for the greats like Frank Sinatra and Sammy Davis Jr.

Obviously, the unfortunate part is that these people are dead and many of their stories and achievements have died with them. The obituary is their last statement, which says "I lived, I loved, and I was" - I was part of the human experience and I was a tread in this rich tapestry called existence.

I sometimes walk home rather than take the train (+/- 65 blocks). I pass thousands of people each of those individuals have interesting lives, wonderful stories and fascinating experiences – A treasure trove of humanity only to be unlocked and shared with those close to them or acquaintances when required.

A couple of years ago, my wife spent a month back at home with her family. She took a minidisk recorder and interviewed her 73 year old grandmother. For four days the CD’s burned countless stories all while her grandmother cooked. The result is a priceless library of the history of ones life, intertwined with a narrative of all of the family recipes. These moments are now captured and can be shared with generations to come.

It is taking a moment to know the living – I would encourage anyone to do this.

Wednesday, February 14, 2007

Condominiums What are we buying?


What are they selling and what are we buying?

888 Vegas

It seems that just a few years ago advertisement for condominium and cooperative residential real estate was straight forward: A floor plan accompanied by the image of the building. If the building was not built, a simple architectural ink-wash rendering was provided.

Today, extravagant marketing campaigns appear to sell something other than real estate. Looking at a full page condominium advertisement in the dailies, wandering through the condominium promotional website, visiting a “condo sales boutique” (previously referred to as a sales office), or thumbing through the promotion package – I wonder if the product being sold is an apartment or a lifestyle.

Sheffield 57

Sultry images of men and women overlooking a skyline - no image of the building, no drawings of a floor plan, no real direct tie to a piece of property. At first glance I look for a logo of a women’s shoe co., or dress designer icon, or a perfume bottle. Only a few stylized letters of a stylized address and a small disclaimer text on the bottom. It must be an advertisement for Viagra.

Can one actually buy lifestyle, and for that matter, can one buy a life. If you can - let me know. I have been told to ‘buy a life’ since I was six on the playground wearing Garanimal clothing.

William Beaver House

Of course, consumers are not that naïve to think that they are buying new chique friends instead of property. A close buddy of mine lives in a building on the lower East side. He shares the floor with Victoria Secret Model Alessandra Ambrosia. If the building had a glossy sales brochure, it would actually live up to the images of beautiful barely clothed models walking around the halls. Although he has informed me that she typically wears sweatpants, rarely says hello to her neighbors and has not once invited him to a party. The point is, my friend did not buy his apartment based on a slick ad campaign and although he is an attractive guy, I do not think that he would have made it in the brochure.

With all that said; there does not appear to be any stopping of the condo marketing machine and as my professor told us in advertisement 101 “sex sells”. So sit back, relax and open the Sunday New York Times real estate section. You may see more skin then in Playboy.

Platinum

Monday, February 05, 2007

Architectural Family Tree Project

By popular demand - here is my architectural ancestral family tree.

Story Bound Beginning:
Architectural Family Tree Project.
As years and years go by, the architects on the World Wide Web sent their architectural family trees to this blog site and one after the other they were linked up until diagrammatically all the architects of the world were connected. The tree became so dense it was impossible to read until it thinned out at its origin where it inscribed one name, the first known by name, Imhotep.

Saturday, January 27, 2007

Architecture Pedigree

When we think of pedigree we may think of the Tripple Crown, or the American Kennel Club’s Best in Show. While reading ‘The Guilded Life of Stanford White', I pondered if there is a pedigree in architecture. Stanford White, before the fame of McKim, Mead & White worked as a draftsman for Henry Hobson Richardson. John Mervin Carrère, of Carrère & Hastings, was a draftsman in the office of McKim, Mead & White.
The linage’: H.H. Richardson to Stanford White to John Carrère

I started noticing a pattern that suggested that legendary architects worked for renowned architects

Inherently, every architect works under another architect in order to gain the experience needed to be accepted into the industry. Today, in the United States, aspiring architects are required by the state to work under an architect (or other applicable professions) in order to earn the necessary Intern Development Program (IDP) points and become a licensed architect. An architectural ancestry or family tree is therefore established for every architect, yet I will argue it does not establish a pedigree.

Famous architects do not grow from simple ancestry.
As the following examples illustrate, famous architects breed famous architects.

H.H. Richardson to Charles Follen McKim to Cass Gilbert
Eliel Saarinen (Gesellius, Lindgren, Saarinen) to Eero Saarinen to Robert Venturi
William Le Baron Jenney to Louis Sullivan to Frank Lloyd Wright to E. Fay Jones
Jack Pritchard (Isokon Co.) to Marcel Breuer to Richard Meier to Robert A.M. Stern
Cope & Stewardson to John Molitor to Louis I. Kahn to Moshe Safdie
Peter Behrens to Victor Gruen to Frank Gehry
Peter Behrens to Mies Van Der Rohe
Renwick Aspinwall & Russel to Bertram Grosvenor Goodhue to Raymond Hood
Auguste Perret to Le Corbusier to Jose Oubrerie
William LeBaron Jenney to Daniel Burnham to Ernest R. Graham

I know that there are a few exceptions to the rule and I am sure if one tries hard enough one can destroy my hypotheses with facts – yet it makes for a good blog entry and an interesting conversation piece (maybe only at AIA functions).

* One major exception is two of the ‘New York Five,’ Eisenman and Graves. Some can argue that these two have a linage from their mentor and promoter, Philip Johnson. However, Philip Johnson has no Architectural Lineage; he just had a lot of money.

KNOW OF OTHER ARCHITECTURAL LINIAGES, PLEASE COMMENT

Thursday, January 04, 2007

Moratorium on Capital Punishment

Has the global society grown spiritually enough that it can place a moratorium on capital punishment?
The Italian government believes so.

This past week the Italian Prime Minster, Romano Prodi, announced that Italy will push for a universal moratorium on executions. Italy has taken one of the ten non-permanent seats on the United Nations Security Council and has requested that the Security Council re-examine their proposal for a moratorium on the death penalty submitted last month.

This is not a new appeal to the United Nations. According to the BBC, Italy in 1994 and again in 1995 presented proposals for a moratorium on the death penalty.

Italy urges global execution ban – BBC News http://news.bbc.co.uk/1/hi/world/europe/6226687.stm

Since 2003, member countries of the European Union have ended the use of the death penalty in Europe by signing the European Convention on Human Rights Protocol No. 6 and No. 13. According to the European Union website, "The European Union campaigns towards the universal abolition of the death penalty. This stance is rooted in the belief in the inherent dignity of all human beings and the inviolability of the human person, regardless of the crime committed."

http://ec.europa.eu/comm/external_relations/human_rights/adp/index.htm

EU Policy On The Death Penalty http://www.eurunion.org/legislat/DeathPenalty/EurHRConvProt13Decl.htm


In the United States only twelve of the fifty states have ended the death penalty. In addition to those states, The District of Columbia has abolished capital punishment.

According to Amnesty International - Since 1973, 123 individules have been found innocent who were sentenced to death in the United States. The looming question is how many innocent people have we put to death by means of our capital punishment program in the name of public safety?

There are many arguments for why capital punishment should be abolished - from the financial aspect of an execution to the physiological understanding that a death penalty is not a deterrent. For me, there is only one line of reasoning – who gives you or me the right to extinguish life?

The late philologist, author, and philosopher, John Ronald Reuel Tolkien, said it so elegantly through his character Gandalf the Grey in The Fellowship of the Ring. “Many that live deserve death and some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgment. For even the very wise cannot see all ends.”

Amnesty International
http://web.amnesty.org/pages/deathpenalty-index-eng

The Innocence Project
http://www.innocenceproject.org/

The Death Penalty Information Center
http://www.deathpenaltyinfo.org/